Press for Write Afghanistan
“[These] stories form a remarkable portrait of lives largely invisible to readers outside Afghanistan. This brims with humanity.”
Publishers Weekly, US
This revelatory anthology of stories grew out of the Write Afghanistan project, which connected editors and translators to Afghan writers, many of whom use pseudonyms to protect their safety. Though a handful of entries are inspired by news events […] most show glimpses into the day-to-day lives of Afghan women and girls, taking place against the backdrop of four decades of conflict, with episodes of violence happening just outside the frame.
“This intense collection does inspire hope that Afghan women and girls will persevere” NPR, US
This week marks a year since the Taliban regained control of Afghanistan, a bitter anniversary for many Afghans and foreigners, like me, who lived and worked there […] But the Taliban hasn’t succeeded in silencing the female half of Afghan society, whose voices at home and abroad ring out in two new and powerful anthologies: We Are Still Here: Afghan Women on Courage, Freedom and the Fight to Be Heard and My Pen Is the Wing of A Bird.
“How We Live Now: Afghanistan’s Women Speak” Financial Times
Over the course of a year of Taliban rule, a group of women writers (the contributors of the anthology ‘My Pen Is The Wing of a Bird’) share their thoughts, fears and dreams via a messaging app.
With the fall of Kabul on August 15 2021 and the Taliban’s reinstatement of the Islamic Emirate of Afghanistan, women across the country had to find ways to cope with their lives being turned upside down swiftly and unexpectedly. A group of women writers aged 22 to 60, from different provinces and ethnic groups, found reassurance by creating an online diary, shared via a messaging app and facilitated by Untold.
“A hugely ambitious project” The Guardian
When Lucy Hannah decided to put together an anthology of short stories by Afghan women in 2019, it already seemed like a hugely ambitious project. Most of the authors involved had never had the opportunity to work with an editor before. One contributor submitted her story by taking photos of handwritten pages and sending them via WhatsApp. Read more…
“These stories […] reiterate how much Afghan women could again say and do, if only they were allowed to.” The Economist
The story of Ajah, or grandmother, begins with a child, born in 1905 in Chimtal, a district of the Balkh province of northern Afghanistan. The girl is orphaned at seven, when tuberculosis kills her parents, and is married off at 12. Her husband is paralysed after falling on a mountain path while searching for a cure for his infertility. Read more…
“Vivid snapshots of a country beset by war and violence, where misogyny is rife but women continue to dream of a better future.” The Financial Times
Untold is a development programme that works with marginalised writers, particularly those in areas with recent or ongoing conflict. Between 2019 and 2021, Untold’s Write Afghanistan project worked with 18 emerging female writers to develop and translate their creative writing. The result is this arresting collection of stories. Read more…
“An authentic and arresting collection of tales that are unlike any you may have read before” Whistles
Coming at a pivotal moment in Afghanistan’s history, My Pen Is The Wing Of A Bird amplifies the voices of Afghan women who, until now, have struggled to get their stories out. Untold, an initiative founded by Creative Producer and Programme Director Lucy Hannah, works closely with marginalised groups, helping them develop their work and write the stories they want to tell in their own words. Read more…
“The Afghan women writing for freedom” Intelligence Squared
Afghan women’s voices are at increasing risk of being silenced and as more of their rights slip away, so do their stories. In this episode we hear from three women from the Untold writers programme, who are the co-creators of My Pen is the Wing of a Bird, a new anthology of Afghan women’s fiction. Lucy Hannah , Zarghuna Kargaar and Marie Bamyani. [18 May 2022 · 32 minutes] Listen here.
“My Pen is the Wing of a Bird [is] little short of a miracle.”
The Sydney Morning Herald
An anthology of short fiction by Afghan women might have seemed like a difficult project even in 2019 when it was first mooted. Since then, the pandemic and the resumption of Taliban rule have made the publication of My Pen is the Wing of the Bird little short of a miracle. Collected by Lucy Hannah from over 300 submissions across both urban and rural Afghanistan, these short tales draw insight and lyricism from lives lived in the shadow of war, violence, and relentless misogyny. Read more…
“This book is a powerful reminder […] that everyone has a story and every story matters.” Mint Lounge
No part of life in the last couple of years has remained unmarked by the various global disasters surrounding us: a pandemic, economic crisis, wars. My Pen is the Wing of a Bird, an anthology of short fiction by marginalized Afghan women (the first collection of short fiction by Afghan women in English translation, it says), had to survive the pandemic and the Taliban takeover of Afghanistan in mid-2021. Yet, despite every obstacle, the writers finished their stories. Read more…
“Centring the experiences of Afghan women and girls” The Arts Desk
“My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream.” Batool Haidari’s words give this bold collection of stories its title and epigraph. She is one of 18 writers from the Write Afghanistan project, run by the organisation Untold which works to promote the work of writers in communities marginalised by conflict. Read more…
“Though the stories are often challenging, the writers grant their characters moments of connection, and grace” Asian Review of Books
My Pen Is the Wing of a Bird came about through the efforts of Untold Narratives, a UK-based organization which works to develop and amplify the work of writers marginalized by social, geopolitical or economic isolation, particularly those in areas with recent or ongoing conflict. Read more…